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Southam Embroideries - The History of Southam in Needlework

Southam Embroideries are on permanent display at The Grange Hall. Viewing is by appointment.

Panel 1: Holywell 998 - Saxon England

Southam Embroidery Panel 1

The panel illustrates the beginning of the Southam story - the Holywell was a place where local inhabitants went to draw water. It shows a monk reading to a Saxon man and his family from the Charter of 998, when King Ethelred the Unready gave Suham (Southam) to Leofwyne, father of Leofric (husband of Lady Godiva). This charter is preserved in the Bodleian Library in Oxford.

The water was created by using fabric crayons on transparent fabric: the fabric was then worked to give the appearance of water. The wall was embroidered with woollen threads and coloured with fabric crayons. The figures were worked separately and applied to the panel. Many different embroidery stitches were used for the trees, foliage and foreground, knitting and crochet were also used.

People involved: Liz King, Hazel Preston, Margaret Ray, Marion Randall, Cynthia Kirkham, Mary Kenlock, Val Steele.

Panel 2: Medieval Market 1227 - Medieval England

Southam Embroidery Panel 2

The second panel portrays a medieval market around the 13th century. Southam was becoming a busy place. Villages built their houses from resources around them: trees, clay, straw, cow manure, pebbles. They would have made all their own clothes, buying fabric from merchants who had stalls on market day. Other stalls would have held coal, fish, meat, poultry, spices salt, baskets, pots and pans. Henry 3rd granted a charter on February 14th 1227, giving Southam 'town' status, which gave the town freedom within the feudal system.

The techniques used were many and varied, they included appliqué, fabric painting and knitting for the path (left into the distance middle).

People involved: Liz King, Hazel Preston, Margaret Ray, Marion Randall, Cynthia Kirkham, Mary Kenlock, Val Steele, Mary Rock, Maria Spence, Maggie Rowlett.

Panel 3: Civil War 1642 - Charles 1st in Southam

Southam Embroidery Panel 3

The third panel portrays the part which Southam played in the Civil war. It shows a scene outside The Old Mint Pub, where Charles 1st coins allegedly had coins minted to pay his troops. Our small town harboured 13,000 troops from both the Royalists and Parliamentarians, some in the town; others camped in the surrounding fields. Southam was also noted for its cider which was sold in the Drury Lane theatre until 1830.

The Old Mint pub was a textured fabric, which was painted with fabric paints and then hand quilted. The figures were worked separately and padded to give them a more lifelike form. Fields were added to the background fabric using transparent fabric which was cold dyed to various shades. Different embroidery stitches were used to make the trees and hedges. The cart was made out of 4 different fabrics. Many embroidery stitches and techniques were used to achieve all the foliage details.

People involved: Hazel Preston, Margaret Ray, Marion Randall, Cynthia Kirkham, Mary Kenlock, Val Steele.

Panel 4: 19th Century England 1818 - Stoneythorpe Eye and Ear Hospital

Southam Embroidery Panel 4

The fourth panel shows people attending the local Infirmary, built by Southam born Dr. Henry Lilley Smith. It opened in spring 1818. Medical advice, professional attendance and medicine were free. It was supported by voluntary subscriptions from the wealthy people of the town. Water from the Holywell was reputedly used to heal the eyes of patients. Dr Lilley-Smith also arranged the first May day Fete with rural sports. He also built a Dispensary which flourished during his lifetime but ended with his death in 1859. The stone monument shown on this panel was erected near the site of the Dispensary to the memory of the doctor.

Quilting and shadow quilting were used to create the hospital building on a soft white fabric. Similar techniques were used to for the 3 figures. The trepunto method was used on the monument. Gauze fabrics were cold dyed for the sky, fields and paths with various methods of embroidery, using many shades of 2 ply wool. For the hedges, trees and knitted path many shades of embroidery silk and wool were used.

People involved: Hazel Preston, Margaret Ray, Marion Randall, Cynthia Kirkham, Mary Kenlock, Liz King, Val Steele.

Panel 5: Early 20th Century England 1902 - The Drovers Last Drive

Southam Embroidery Panel 5

The fifth panel portrays the Welsh Drovers and their dog, which for centuries drove sheep, cattle and geese through Southam to markets in the Eastern Counties and London. The drovers ate, drank and slept in one of the 20 pubs/hostelries that were in the town at this time. The windmill was built in 1834; it was four storeys high with patent sails and 3 pairs of stones. A family of millers and bakers worked the mill until 1947 when another family took over. The mill was totally dismantled in the mid 1970s.

Various techniques were used in creating this panel, including appliqué, quilting, shadow quilting and cross stitch. Dyeing with tea bags was perfected to help coordinate the various shades of brown and beige needed for the drover and the paths. Three techniques were used for the sheep. A range of embroidery stitches were used for the trees, hedges and background.

People involved: Hazel Preston, Margaret Ray, Maria Spence, Angie Bull, Betty Mitchelmore, Liz King, Cynthia Kirkham, Mary Kenlock, Val Steele.

Panel 6: Cross Stitch Panels

Southam Embroidery Panel 6

This is one large panel made of 25 panels each 9 inches square. These small panels represent other historical facts relating to Southam's history from 998 to 1902. From left to right:

Line One - Around 998

Line Two - Medieval England

Line Three - Civil War Period

Line Four - 19th. Century

Line Five - Early 20th. Century

Stitchers: Diane Sansome-Smith, Angie Bull, Margaret Ray, Angela Bliss, Joan Price, Betty Mitchelmore, Carole Gwillam, Val Steele Maria Spence, Lorna Russell, Sylvia Lee, Glesni Thomas, Mary Hughes, Mary Kenlock, Jean Pownall, Dorothy Warner.

Southam Town Crest

Southam Town Crest

This panel was embroidered by Sylvia Lee and it took her six months to complete.

It is worked mainly in satin stitch in gold and silk threads. Other stitches were also used to great effect with some padded work also being undertaken.

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